| 1926 |
Eighth Annual Exhibition of the Toledo Federation of Art
Societies. The Toledo Museum of Art, Toledo, Ohio. |
| |
|
| 1927 |
Ninth Annual Exhibition of the Toledo Federation of Art Societies.
The Toledo Museum of Art, Toledo, Ohio. |
| |
|
| 1928 |
Tenth Annual Exhibition of the Toledo Federation of Art Societies.
The Toledo Museum of Art, Toledo, Ohio. |
| |
|
| 1939 |
Art of Tomorrow. Museum of Non-objective Painting, New York
(catalogue, 1 plate, 1 piece). |
| |
|
|
Group Exhibition. Golden Gate Museum, San Francisco. |
| |
|
| 1940 |
Eight American Non-objective Painters: Penrod Centurion, John Ferren,
Gerome Kamrowski, Hilla Rebay, Rolph Scarlett, Charles Smith, John von Wicht, Jean Xceron.
Museum of Non-objective Painting, New York. |
| |
|
|
Twelve American Non-objective Painters: Emil Bisttram, Florence
Brillinger, Manuel Essman, Robert Gribbock, Noah Grossman, Lawren Harris, Raymond Jonson,
Hanany Meller, Agnes Pelton, Rouben Samberg, Rolph Scarlett. Museum of Non-objective
Painting, New York. |
| |
|
|
Twelve American Non-objective Painters: Florence Brillinger, Penrod
Centurion, Josette Coeffin, Dwinell Grant, Noah Grossman, Hanany Meller, I. Rice Pereira,
Hilla Rebay, Mary Ryan, Rolph Scarlett, Charles Smith, Jean Xceron. Museum of
Non-objective Painting, New York. |
| |
|
|
Ten American Non-objective Painters: Penrod Centurion, Josette
Coeffin, Manuel Essman, Noah Grossman, Hanany Meller, Marie Menken, I. Rice Pereira, Mary
Ryan, Rolph Scarlett, Charles G. Shaw. Museum of Non-objective Painting, New York. |
| |
|
|
Group Exhibition. Galerie Carpentier, Paris. |
| |
|
| 1941 |
Ten American Non-objective Painters: Florence Brillinger, Olga
Egeressy, Thomas Eldred, Edward Landon, Lloyd R. Ney, Mary Ryan, Rolph Scarlett, Roland St
John, Edna Tacon, Paul Tacon. Museum of Non-objective Painting, New York. |
| |
|
|
Eight Non-objective Painters: Florence Brillinger, Werner Drewes,
Dwinell Grant, Maude I. Kerns, Edward London, Ted Price, Mary Ryan, Rolph Scarlett. Museum of Non-objective Painting, New York. |
| |
|
|
Eight Non-objective Painters: Thomas Eldred, Dwinell Grant, Noah
Grossman, Marguerite Hohenberg, Ladislas Moholy-Nagy, Otto Nebel, I. Rice Pereira, Rolph
Scarlett. Museum of Non- objective Painting, New York. |
| |
|
| 1942 |
American Non-objectives. Museum of Non-objective Painting, New
York. |
| |
|
| 1945 |
Loan Exhibition. Museum of Non-objective Painting, New York. |
| |
|
|
Group Exhibition. Modern Age Art Gallery, New York. |
| |
|
| 1947 |
Solomon R. Guggenheim Foundation: Zeitgenössische Kunst und
Kunstpflege in U.S.A. Kunsthaus, Zurich, and Palais des Beaux- Arts, Paris. |
| |
|
|
Group Exhibition. Galerie Carpentier, Paris. |
| |
|
| 1947-50 |
Deuxiéme Salon des réaltiés nouvelles (Museum of Non-objective
Painting touring exhibition). Palais des Beaux-Arts, Paris, 1947; Karlsruhe, Kunsthalle,
as Gegendstandlose Malerei in Amerika, 1948; Munich, Kunstrunde, 1948;
Mannheim, Städtische Kunsthalle Mannheim, 1948 (catalogue); Frankfurt am Main,
Kunstkabinett, 1948 (henceforth no catalogue); Kassel, Staatliche Kunstsammlungen, October
1948; Braunschweig, Galerie Otto Rals, 1948; Hamburg, Kunstrunde, 1948; Hannover,
Landesmuseum, 1949; Düsseldorf, Kunsthalle, 1949; Essen, 1949 (institution unknown);
Karlsruhe, Kunsthalle, 1949; Bremerhaven, Firma Nordkunst, 1949; Munich, Amerika-Haus,
1950; Bremerhaven, Amerika-Haus, 1950; Hamburg, Amerika- Haus, 1950; Bremen, Amerika-Haus,
1950; Hamburg, Amerika- Haus, 1950; Braunschweig, Amerika-Haus, 1950. |
| |
|
| 1948 |
Group Exhibition. The Society for Contemporary Art, Art Institute
of Chicago, Chicago. |
| |
|
|
Group Exhibition. The University of Nebraska, Lincoln |
| |
|
| 1949 |
New Exhibition, American Non-objective Painters: Jordan Belson, Ilya
Bolotowsky, Kenneth Campbell, Svend Clausen, Hohannesian, Ibram Lassaw, Alice T. Mason,
Lloyd Ney, Hilla Rebay, Rolph Scarlett, Zahara Schatz, Charles Smith, Lucia Stern, Robert
Wolff, Jean Xceron. Museum of Non-objective Painting, New York. |
| |
|
|
New Exhibition, Non-objective American Painters. Museum of
Non-objective Painting, New York. |
| |
|
|
Tenth Anniversary Exhibition, Museum of Non-objective Painting,
New York. |
| |
|
|
Contemporary American Painting. College of Fine and Applied Arts,
University of Illinois, Champaign (catalogue, 1 piece). |
| 1950 |
University of Illinois Exhibition of Contemporary American Painting.
College of Fine and Applied Arts, Champaign, Illinois. American Painting Today.
Metropolitan Museum of Art, New York. |
| |
|
| 1951 |
Contemporary American Painting. College of Fine and Applied Arts,
University of Illinois, Champaign (catalogue, 1 plate, 1 piece) |
| |
|
|
Annual Exhibition of Contemporary American Painting. Whitney
Museum of American Art, New York (catalogue, 1 piece). |
| |
|
| 1952 |
Annual Exhibition of Contemporary American Painting. Whitney
Museum of American Art, New York (catalogue, 1 piece). |
| |
|
| 1953 |
Contemporary American Painting. College of Fine and Applied Arts,
University of Illinois, Champaign (catalogue, 1 plate, 1 piece). |
| |
|
| 1955 |
Museum of Non-objective Painting Loan Exhibition, Sarasota Art
Association, Sarasota. |
| |
|
| 1968 |
The Solomon R. Guggenheim Museum, Acquisitions of the 1930s and the
1940s: A Selection of Paintings, Watercolors, and Drawings in Tribute to Hilla Rebay
(1890-1967). Solomon R. Guggenheim Museum, New York (catalogue, 1 piece). |
| |
|
|
Group Exhibition. Sarasota Art Association, Sarasota. |
| |
|
| 1971 |
Non-objective Paintings. Manson-Williams Proctor Institute,
Utica. |
| |
|
| 1977 |
Visitors, Exiles and Residents: Guelph Artists Since 1827.
University of Guelph Art Gallery, Guelph, Ontario (catalogue, 4 plates, 11 pieces). |
| |
|
|
|
|
|
| 1980 |
Group Exhibition. Zabriskie Gallery, New York |
| |
|
| 1983-85 |
Abstract Painting and Sculpture in America 1927-1944. Museum of
Art, Carnegie Institute, Pittsburgh. (Exhibition travelled to San Francisco Museum of
Modern Art, the Minneapolis Institute of Art and the Whitney Museum of American Art, New
York) (catalogue, 1 plate, 1 piece). |
| |
|
| 1983 |
Under Glass. Washburn Gallery, New York. |
| |
|
| 1984 |
American Abstract Paintings from the 1930s and 1940s. Washburn
Gallery, New York. |
| |
|
| 1986 |
Modernist Canadian Prints. Associated American Artists, New York
(catalogue, 1 plate, 3 pieces). |
| |
|
| 1988-89 |
The Ebsworth Collection, American Modernism, 1911-1947. The St
Louis Art Museum, St Louis. (Exhibition travelled to Museum of Fine Arts, Boston; Honolulu
Academy of Fine Arts). |
| |
|
| 1988 |
Foundations of the American Avant-Garde. Struve Gallery, Chicago. |
| |
|
|
American Abstract Drawing 1930-1987. Arkansas Art Center, Little
Rock, Arkansas. |
| |
|
|
Rudolf Bauer, Rolph Scarlett, Hilla Rebay. Sid Deutsch
Gallery, New York. |
| |
|
| 1989 |
Past/Present. Washburn Gallery, New York. |
| |
|
|
Modernism: Art and Design from 1925-1950.
Struve Gallery, Chicago. |
| |
|
|
Modern American and European Prints. Associated American Artists,
New York. |
| |
|
|
Hilla Rebay and Her Circle. Portico New York Inc., New York. |
| |
|
| 1990 |
In Review: Bolotowsky, Mason, Scarlett, Shaw. Washburn Gallery,
New York (exhibition brochure, 2 plates). |
| |
|
|
Under Fire. Washburn Gallery, New York. |
| |
|
|
American Abstract Artists. Washburn Gallery, New York. |
| |
|
|
Masters of Geometric Abstraction. Beth Urdang Fine Arts, Boston. |
| |
|
| 1991 |
Modern American Prints. Associated American Artists, New York. |
| |
|
| 1991-92 |
The Second Wave: American Abstractionists of the 1930s and 1940s.
Worcester Art Museum, Worcester, Massachusetts. (Exhibition travelled to Samuel P. Harn
Museum, University of Florida, Gainsville; Delaware Art Museum, Wilmington) (catalogue). |
| |
|
| l992-93 |
Theme and Improvisation: Kandinsky and the American Avant-Garde,
1912-1950. Dayton Art Institute, Dayton. (Exhibition travelled to the Phillips
Collection, Washington DC, Terra Museum of American Art, Chicago, and the Amon Carter
Museum, Fort Worth) (catalogue, 3 plates, 3 pieces). |
| |
|
|
The Uses of Geometry Then and Now. Snyder Fine Art, New York.
(Catalogue, 1 plate) |
| |
|
| 1994 |
On Paper: Abstraction in American Art. Rosenfeld Fine Art, New York. |
| |
|
| 1995 |
New York: Two Different Perspectives. Beacon Hill Fine Art, New
York. |
| |
|
| 1996 |
Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline.
Solomon R. Guggenheim Museum, New York (catalogue, 1 piece). |
| |
|
|
L’art deco: expression de la vie moderne 1925-1939. McCord
Museum of Canadian History, Montreal (checklist, 9 pieces). |
| |
|
|
The Museum of Non-objective Painting: American Abstract Art.
Snyder Fine Art, New York (catalogue, 3 plates). |
| |
|
|
Abstraction across America 1934-1946. Rosenfeld Gallery, New
York. |
| |
|
| 1996-98 |
Champions of Modernism. The Castle Gallery, College of New
Rochelle, Rochester, 1996; Mary Washington College Galleries, Fredericksburg, Virginia,
1996; Gibbes Museum of Art, Charleston, South Carolina, 1997; Sunrise Museum, Charleston,
West Virginia, 1997; Brevard Museum of Art and Science, Melbourne, Florida, 1998
(catalogue, 8 plates, 2 pieces). |
| |
|
| 1997 |
Singular Impressions, The Monotype in America. National Museum of
American Art, Washington DC (catalogue, 1 plate, 1 piece). |
| |
|
|
Group Exhibition. Beth Urdang Fine Arts, Boston. |
| |
|
1997-
2000 |
Designed for Delight: Alternative Aspects of Twentieth Century
Decorative Arts. Montreal Museum of Decorative Arts, Montreal, 1997; Canadian Museum
of Civilization, Hull, 1997; Cincinnati Art Museum, Cincinnati, 1998; Virginia Museum of
Fine Arts, Richmond, 1998; Speed Art Museum, Louisville, 1999; Chiostro Del Bramante,
Rome, 1999; Beurs van Berlage, Amsterdam, 2000; Fundación Pedro Barrié de la Maza, La
Coruna, 2000; Espace Landowski, Boulogne-Billancourt, France, 2000 (catalogue, 1 plate, 1
piece). |
| |
|
| 1998 |
Against All Odds: American Abstraction from the 1930s and 1940s.
David Findlay Jr Inc. New York. |
| |
|
|
American Abstraction of the 1930s and 1940s. The J. Donald
Nichols Collection, Wake Forest University Fine Arts Gallery, Winston-Salem (catalogue, 5
plates, 5 pieces). |
| |
|
| 1999 |
Abstraction: The 1940s and 1950s. Washburn Gallery, New York. |
| |
|
|
The American Century: Art and Culture 1900-1950. Whitney Museum
of American Art, New York (catalogue, 1 plate, 1 piece). |
| |
|
|
Americans and Expatriots: Non-objective Painting in America 1920-1950.
David Findlay Jr Inc. New York. |
| |
|
| 2000 |
America Gone Modern, From the Twenties to the Sixties.
Spanierman Gallery, New York (catalogue, 1 plate). |
| |
|
| 2001 |
Abstract Expressionism: Expanding the Canons. Snyder Fine Art,
New York. |
| |
|
| 2002 |
Art for the New Collector. Spanierman Gallery, New York
(catalogue). |
| |
|
|
Kindred Spirits. David Findlay Jr Inc. New York. |
| |
|
| 2003 |
Hilla Rebay, Rudolf Bauer and Rolph Scarlett. Snyder Fine Art,
New York. |
|
