| Public Collections |
| Solomon
R. Guggenheim Museum, New York Amon |
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| Carter Museum, Fort Worth, Texas |
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| Brooklyn Museum of Art, Brooklyn, New York |
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| Los Angeles County Museum of Art, Los Angeles, California |
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| Museum of Art, Carnegie Institute, Pittsburgh, Pennsylvania |
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| Sheldon Memorial Art Gallery and Sculpture Garden, University of
Nebraska,
Lincoln |
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| Montreal Museum of Fine Arts, Montreal, Quebec |
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| Macdonald Stewart Art Centre, Guelph, Ontario University of Guelph, Guelph, Ontario |
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| Publications |
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| Jellinek, Roger.
"Rolph Scarlett - Twentieth-Century Painter." Canadian Art.
22:3 (May/June 1965): 23-5. |
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| Kramer, Hilton.
"Rolph Scarlett". New York Times. March 1973. |
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| Murray, Joan. Canadian
Art in the Twentieth Century. Toronto: Dundurn Press, 1999: 51-52. |
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| Nasby, Judith. Rolph
Scarlett: Painter, Designer, Jeweller. McGill-Queen's University Press,
McGill-Queen's University Press 2004. 200 pp, 78 colour images, 16 bw images. |
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| Nasby, Judith,
and Diane Charbonneau. "Rolph Scarlett, Discovering a Modernist Canadian
Artist". Collage, the Magazine of the Friends of the Montreal Museum of
Fine Arts, Winter 2002-3: 37. |
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| "Rolph
Scarlett: Factless Precisionist at Museum of Non-Objective Painting." Art
Digest 18:18 (1943). |
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| Rolph Scarlett;
Harriet Tannin (contributor). The Baroness, the Mogul, and the Forgotten History of the
First Guggenheim Museum. Midmarch Arts Press, 2003. 168 pp. |
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| "Rolph
Scarlett: Retrospective in Woodstock." Antiques and the Arts Weekly.
27 August 1993: 15. |
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| "Scarlett
Letters". Hudson Valley Literary Supplement. 30 April 1992: 12-14. |
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| Stern, Andrea
Barrist. "Rolph Scarlett, his art, like his life, was purely inventive." Woodsock Times. 16 August 1984. |
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| Tannin, Harriet,
ed. Rolph Scarlett, Early Master of the Non-objective.
Woodstock, NY: Woodstock Artists Association, 1993. |
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| Twine, Tinker.
"Listen with Your Eyes, Rolph Scarlett Retrospective celebrates a modern
master." Woodstock Times, 29 July 1993: 1, 18, 19. |
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| Webster, Judith, ed. "Rolph Scarlett: Art, Design and Jewelry". Canadian Quarterly 5:2 (July 1997):3. |
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| Woodstock
Artists Association. Rolph Scarlett: Early Master of the Non-Objective. July 31-August 22, 1993. Woodstock: Woodstock Artists Association, 1993. |
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|
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| Exhibition Catalogues |
| Abstract Painting and Sculpture in America 1927-1944.
Museum of Art, Carnegie Institute, Pittsburgh. 1983-85. |
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| Abstraction in the Twentieth Century: Total Risk, Freedom,
Discipline. Solomon R. Guggenheim Museum, New York. 1996. |
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| Abstraction: The 1940s and 1950s. Washburn Gallery, New
York. 1999. |
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| America Gone Modern, From the Twenties to the Sixties.
Spanierman Gallery, New York. 2000. |
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| American Abstraction of the 1930s and 1940s. The J.
Donald Nichols Collection, Wake Forest University Fine Arts Gallery, Winston-Salem. 1998. |
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| Annual Exhibition of Contemporary American Painting.
Whitney Museum of American Art, New York. 1952. |
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| Annual Exhibition of Contemporary American Painting.
Whitney Museum of American Art, New York. 1951. |
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| Art of Tomorrow. Museum of Non-objective Painting, New
York. 1939. |
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| Art for the New Collector. New York: Spanierman Gallery,
2002: 31, 45 |
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| Contemporary American Painting. College of Fine and
Applied Arts, University of Illinois, Champaign. 1949. |
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| In Review:
Bolotowsky, Mason, Scarlett, Shaw. New York: Washburn Gallery, 1990. |
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| Modernist Canadian Prints. Associated American Artists,
New York. 1986. |
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| Rolph Scarlett: Works on Paper, c. 1945. Exhibition
brochure (Lorenz, Marianne). January 18-February 11, 1995. New York:
Washburn Gallery, 1995. |
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| Rolph
Scarlett. Exhibition brochure (Struve, Keith). Struve Gallery, Chicago. 16
pages; 14 color plates. 1990. |
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| Rolph
Scarlett: A Collection of Prints from the Estate. New York: Associated
American Artists, 1988. |
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| Rolph
Scarlett: Drawings and Watercolors. April 26-May 14, 1983. New York:
Washburn Gallery, 1983. |
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| Rolph
Scarlett: Works from c. 1940. January 12- February 6, 1982. New
York: Washburn Gallery, 1982. |
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| Singular Impressions, The Monotype in America. National
Museum of American Art, Washington DC. 1997. |
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| The American Century: Art and Culture 1900-1950. Whitney
Museum of American Art, New York. 1999 |
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| The Museum of Non-objective Painting: American Abstract Art.
Exibition brochure. Snyder Fine Art, New York. 1996. |
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| The Second Wave: American Abstractionists of the 1930s and
1940s. Worcester Art Museum, Worcester, Massachusetts. 1991-92 |
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| The Solomon R. Guggenheim Museum, Acquisitions of the 1930s
and the 1940s: A Selection of Paintings, Watercolors, and Drawings in Tribute to Hilla
Rebay (1890-1967). Exhibition brochure. Solomon R. Guggenheim Museum, New
York. 1968. |
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| The Uses of Geometry Then and Now. Snyder Fine Art, New
York. 1992-93 |
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| Theme and Improvisation: Kandinsky and the American
Avant-Garde, 1912-1950. Dayton Art Institute, Dayton. l992-93 |
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